The ring "Patterns of Northern Russia"

Material

Platinum 950

Insert

Colorless diamond, 73-facet radiant cut, characteristics 4/5A, weighing 1.04 carats. GIA certificate.

Diamond

Tire width

2.5 mm

Art

GM1001-1

Ring Size

15.5

16.5

17.5

18.5

19.5

20.5

21.5

22.5

23.5

24.5

25.5

Цена от

Price on request

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The price depends on the characteristics and weight of the stone

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Certificate for the stone

Certificate.pdf

Product description

The collection "Patterns of Northern Russia" is a classic jewelry form with precious stones, combined with traditional ornaments of Northern Russia.

The product is available

Other versions of the product

Personal consultation

Complete the set

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Since ancient times, the ring, a vicious circle, has been perceived as a symbol of unity, infinity and wholeness. The tradition of wearing rings came to Russia from Byzantium along with Christianity. The word "ring" itself comes from the Old Slavonic "kolo" – circle, wheel, one of the oldest images of eternity. Already in the first centuries, Christians wore rings and rings as special signs of their belonging to the Church, placing brief confessions of faith on them. For example, on early Christian gems one could find a fish (Greek: IΧΘΥΣ — "Jesus Christ, Son of God, Savior"), an anchor – a symbol of hope for salvation, a ship as an allegory about the Church, or the monogram of Christ - Chrysome.

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Platinum collection

This collection contains the main works of Vladimir Mikhailov: icons, crosses, rings and chains made of noble 950 platinum. Metal, which does not tarnish and is not afraid of time, becomes a natural frame for ancient symbols and filigree handwork. Platinum emphasizes the perfection of lines, the rigor of the ornament and the depth of the Novgorod tradition of fine plastics, where every detail has been verified for centuries.

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Patterns of Northern Russia

In this collection, the ancient artistic techniques of the Novgorod masters come to life in precious metal. The free brushwork of ancient manuscripts, the plastic of Rublevsky patterns and the calligraphic miniature of the Pyzhem style – all this is intertwined into a recognizable pattern on the precious metal. The floral motifs that once decorated the temple frescoes give each piece joy and a sense of belonging to the harmony of the heavenly world. The simplicity of the forms, the rigor of the drawing and the exceptional artistry of the execution allow these ornaments to sound equally natural in everyday life and in a solemn image. The collection includes rings, earrings, pendants, chains and bracelets in green and white gold, as well as platinum, with emeralds, diamonds, rubies and sapphires. An important feature of the collection is the ability to order a product of a certain shape for a unique stone of your choice.

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Diamond

The diamond is often called the "king of gems", because its history dates back thousands of years. The first faceted diamonds appeared in the 15th century: in 1463, the first diamond was made, and a century later, during the Renaissance, classical diamond cutting was invented in Flanders, the prototype of which was natural crystals-octahedra. However, a diamond could only truly reveal its beauty and shine with all its facets in the 17th century, when diamond cutters learned how to split stones. The modern round diamond with 57 perfectly aligned facets owes its appearance to the mathematical calculations of Marcel Tolkowsky, who proposed in 1919 the parameters at which the optical properties of a diamond are revealed in the best way.

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Diamond Collection

In the new diamond collection, the eternal values of the Novgorod art school are combined with high-purity diamonds. The flawless geometry of the stone, which gives a play of light, complements the strict floral patterns of Northern Russia, turning the decoration into a harmonious image. The delicate calligraphy of prayer words is juxtaposed here with the smooth lines of clover and vines, sculpted from gold and platinum. Each piece is unique: the stones are selected manually to emphasize the expressiveness of the image. The earrings gracefully complement the ring, creating a complete ensemble that can be preserved as a legacy passed down from generation to generation.

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