Easter Ring

Jewelry, like any expensive items, requires careful handling and certain care. Special attention should be paid to the appearance of jewelry in hot and humid climates. It is also necessary to protect jewelry from getting perfumes and cosmetics on them.

Since ancient times, the ring, a vicious circle, has been perceived as a symbol of unity, infinity and wholeness. The tradition of wearing rings came to Russia from Byzantium along with Christianity. The word "ring" itself comes from the Old Slavonic "kolo" – circle, wheel, one of the oldest images of eternity. Already in the first centuries, Christians wore rings and rings as special signs of their belonging to the Church, placing brief confessions of faith on them. For example, on early Christian gems one could find a fish (Greek: IΧΘΥΣ — "Jesus Christ, Son of God, Savior"), an anchor – a symbol of hope for salvation, a ship as an allegory about the Church, or the monogram of Christ - Chrysome.

The jewelry collection "Vladimir Mikhailov" is made in precious metals, characterized by a noble, restrained color sound – platinum, white and green gold. At the same time, the main material of the collection is green gold, a type of gold alloy of 585 samples, characterized by its soft color shade and high content of precious metals. This alloy is known primarily as the most stable natural compound of native gold and silver. It is silver that gives the alloy a soft olive hue, muffling the yellow tones of gold and the red sound of copper.

Since the first centuries of Christianity, believers, going on a pilgrimage or a long journey, sought to have with them a shrine – a particle of the Golgotha Cross, relics of saints or objects consecrated on them. This is how encolpions appeared (from the Greek "collos" — the bowels, the heart): small arks that were worn on the chest. Initially, they had the shape of medallions with a schematic representation of a cross, but over time they themselves acquired a cross-shaped appearance. In Russia, such crosses began to be called relics, since they kept the particles of relics inside and therefore were endowed with special grace for the believer.

In this collection, each work becomes a precious testimony of the Bright Resurrection of Christ. Easter eggs symbolizing a new life, angels proclaiming the good news, and images of the Resurrection – all these eternal themes are embodied in icons, elegant pendants, rings, and table compositions. The collection was created in the ancient Novgorod technique of fine plastics. Each product, from a miniature icon to a precious Easter egg, carries the bright joy of the holiday, reminding of the victory of life over death and that the hope of Resurrection lives in every heart.